Onstage again!

Over my many years of involvement in community theatre one of the greatest joys for me has been sharing the stage with former students. Some of them even got their first taste of acting in my junior high drama classes. Never did I imagine, however, that I would someday act in a play written by one of them!

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❤  This photo absolutely warms my heart. On my right, is my former student Kelly Berg, author of Silent Jim, in his lead role of Marshall Henry Jackson. Standing on my left, in the role of Jesse Longstrand, the blacksmith, is a young man I’ve known since he was a preschooler. I taught him Sunday School back in those days!

Silent Jim is a western murder mystery with a mix of intensely serious moments and hilariously funny ones. Thursday evening was opening night. We performed again on Friday and have two more shows next weekend. Our cast of 23 ranges from preteen actors trying out the stage for the very first time to seasoned veterans like myself.

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Cast photo: Brenda Grove

I have a very small onstage role this year. In fact, I only have nine lines to deliver! Silent Jim is set in the small fictional town of Buffalo Skull in the American west in the late 1870s. In the original version, my character was a judge but, like any western, the play has a lot of roles for male actors and far fewer for females. We had to do a bit of adjusting. There were no female judges in the US in the 1870s, but the first female lawyer, Arabella Mansfield, was called to the Iowa bar in 1869. We could change our judge’s role to that of a lawyer and remain authentic to the time we were portraying. Our lady lawyer needed a name, however, and that’s an interesting side story.

One of the aspects of theatre that I absolutely love is the costuming, especially when we’re doing a period play. What would a lady lawyer have worn in the 1870s, I wondered. I turned to the internet in search of photos and as so often happens when I’m online, I ended up going down a variety of interesting and unrelated rabbit trails. One of them led me to an amazing find; my grandmother’s 1909 graduation photo from Dalhousie University in Halifax, Nova Scotia! 

Gran - Eliza Clara Walker - BA Dalhousie University 1909

Though the photo is apparently signed “Lizzie Walker. Dal. 09.” I know that Gran’s full maiden name was Eliza Clara Walker and that later in life she chose to use her middle name. Though hers wasn’t a law degree, there weren’t a lot of university educated women in her day and I thought it would be a wonderful idea to honour her memory by naming my character after her. My fellow thespians agreed and so I became Clara Walker, Esquire!

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In addition to my small onstage role, I also act as prompter for the first three quarters of the play. I was surprised to discover that I really enjoy that position as I’m fully involved in every moment of the show.

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Curtain call photo: Caity Moore, Clouded Creations

 

Fashion is art

LogoIn a recent post, fellow fashion blogger, Pam Lutrell of Over 50 Feeling 40, wrote that “all fashion is art”. Her statement resonated with me because I also believe that fashion provides an opportunity for each of us to be creative and to express who we are through what we wear. 

My involvement in the arts is largely in the area of community theatre which actually intersects with my passion for fashion in an interesting way… costuming. I’m especially fond of period drama because it involves researching the fashions of a particular time in history and doing our best to recreate them onstage. As a small town theatre guild, we don’t have a large budget to work with. We have an incredibly talented costume mistress who can create amazing and elaborate costumes when they’re needed, but much of what we wear onstage comes from our own wardrobes or from the group’s substantial collection of clothing that has mostly been donated or purchased at thrift stores.

Our recent play was set between 1928 and 1946. I played the role of a household servant and was dressed accordingly. That’s me in front holding the serving tray.

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For one very short scene, however, I wore a dressier outfit that included a little velvet jacket from our costume collection that I absolutely fell in love with. It’s always bittersweet when a production comes to an end. After entertaining four dinner theatre audiences and having so much fun doing it, the time came to strike the set and put the costumes and props away, but I couldn’t part with the little velvet jacket. In my mind, I could imagine myself dressing it down with a pair of jeans. I just had to give it a try, so with permission, of course, it came home with me. It will eventually go back and be hidden away in the giant bin labelled “jackets” until it’s needed onstage again, but for a little while I plan to have some fun with it.

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First, I tried it with a simple black camisole and then over my white Indulgence Tank from cabi’s Spring 2017 collection. Since I’ve been told that a woman should be able to style every piece in her closet at least different three ways, I also tried the jacket over a column of colour, in this case my camel coloured cords and camisole. I loved all three of these looks!

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With the gold embroidery design on the jacket, I decided to keep the jewelry at my neck simple or nonexistent, but I did try it with my antique gold-finished Flapper Earrings from cabi’s Fall 2017 collection, reminiscent of the 1920s.

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Do you agree that fashion is art? Please tell me what you think in the comment section below.

Hats, hats, hats

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October is usually a golden month here in Alberta, but this year it’s been grey and dreary. I did my seasonal wardrobe switch earlier this week, putting away my summer clothes and bringing my winter ones out of storage. This is not something that I enjoy doing as I dread our long, cold winters, but I do like the fact that the chilly autumn air means there are some hats that can also come out of storage. We took advantage of a few moments of sunshine this afternoon to take a series of hat photos with the remaining leaves on our weeping birch as a backdrop.

A hat is a great accessory that sets you apart, whether you’re at a formal event or just running errands. This jaunty tweed cap is casual, yet chic.

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When I lived in Japan in 2008 and 2009, most of the older women wore bucket hats that often reminded me of upside down flower pots on their heads! It was in Japan that I found this black felt cloche, however, and I immediately fell in love with it. I was delighted that it actually fit my larger than average head.

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In addition to looking at the hats, take notice of the fact that scarves are a great way to add a bit of trendy animal print to your fall and winter wardrobe.

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Vintage hats can be a fun addition too. This “Saratoga Uncrushable” was made by Biltmore, a world-renowned hat maker, likely in the late 1960s or early 1970s. Though the hat was made in Canada, the tweed fabric, which is 55% wool and 45% cotton, was woven in Scotland. A little research online told me that this is actually a man’s hat and meant to be worn fedora style, but the soft, pliable material is easily reshaped as a cloche which is how I have always worn it.

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The “Saratoga Uncrushable” is actually on long term loan from the community theatre group that I belong to. It was part of one of my costumes several years ago, but when the production came to an end, I hated to part with it! It will go back to the group when it’s needed again, but in the meantime, I continue to enjoy wearing it.

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And finally, a real felt fedora! I’ve never actually worn this one except for for these photos. Made by the great British hat makers, Christys’, probably in the 1940s, it was my father’s. It even has his initials punched into the leather headband inside. When we were cleaning out his apartment and storage unit in preparation for his move to an assisted living facility a few years ago, I laid claim to the hat that he hadn’t worn for years. I knew that it, too, would make a great costume piece for our theatre group. It has been worn onstage several times by several different actors, but I’ve always been tempted to wear it myself.

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What do you think? Should I wear it or not?

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What about Halloween?

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We went to church with a dinosaur this morning; a bright orange Tyrannosaurus Rex named Sam! To the left of us, there were two little pumpkins and to the right, a ladybug and a monkey. A spotted leopard sat in front of us and as I looked around the sanctuary I spotted a ballet dancer, a fireman, a pirate, and a clown. R2-D2 and Princess Leia were there too but there were no witches, ghosts or ghouls. “Let’s be more creative than that,” parents at Cap Church were told last Sunday when it was announced that the Cap kids could wear their Halloween costumes to church today.

Whether or not we should participate in Halloween has become a great debate within the Christian church. There is no doubt that the celebration has its roots in ancient pagan rites and superstitions and it’s also a holy day for those who practice Wicca, a modern religious cult that engages in witchcraft. For most people, however, Halloween is simply a secular day of fun. It has religious significance only to those who give it religious significance. To my mind, if some people feel uncomfortable participating in Halloween activities, then they should refrain from doing so but the rest of us should simply be discerning and avoid those activities that might detract from our Christian witness. It also behooves us to avoid judging those who make decisions different from our own.

Personally, I applaud the approach taken by Cap Church. In an article published in recent church bulletins, Pastor Emeritus, Paddy Ducklow, wrote about what he called “the issue of how our faith impacts our culture and neighbourhood, or how surrounding values harm our kids.” He wrote first of safety, urging parents to teach their children how to be safe in an unsafe world. He also advised them to show the closeness and care of God by being with their children. He encouraged Christian men to exhibit a “father’s heart” during a potentially scary time by going door to door with their children as they trick-or-treat. He recommended that parents use Halloween as an opportunity to help their children make righteous choices, staying away from images of witchcraft, death and violence. I especially appreciated his recommendation that parents make Halloween an opportunity to know and enjoy their neighbours. Rather than being aloof, avoiding contact with our neighbourhood on a night when many are out and about having fun, Halloween is a great opportunity to engage with them.

I would love to know where you stand on this contentious topic. If you do choose to comment, however, please show respect for those who express an opinion different from your own. I’d love to see a lively conversation develop but no personal attacks.