Art to wear

LogoI grew up on the Pacific coast of Canada with a deep appreciation for the art of the Indigenous people of that area. Four years ago, I shared the story of the beautiful hummingbird ring made by Haisla artist, Hollie Bear Bartlett, that hubby gave me for Christmas.

This Christmas, I received some more wearable Pacific coast art!

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The cozy, reversible wrap, was a gift from the Vancouver branch of our family; our oldest son, his wife, and their two sons. A product of Native Northwest, it features the work of Coast Salish artist, Doug Horne. You can probably see the whale motif best in this photo. Look for the rounded head, the toothy mouth, and the blowhole on top.

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In the stories of the Northwest Coast, the killer whale, or orca, is associated with strength, dignity, prosperity, and longevity.

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100% of the art featured on Native Northwest products is designed by Indigenous artists and used with their consent. Artist names and cultural affiliations are acknowledged on all packaging and the artists are paid in fees and royalties.

In addition to my beautiful wrap, hubby and I received two Native Northwest masks from another family member. Here, I’m wearing the eagle design by Haida artist, Roger Smith. Eagles are associated with guidance, hope, healing, and the pursuit of freedom.

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You can easily see the tentacles on Ernest Swanson’s octopus on the mask on the right. Swanson comes from a long line of established Haida artists. The octopus is respected in the Northwest coast culture for its ability to adapt to change. The raven mask on the left, by well-known Tsimshian artist, Roy Henry Vickers, is one that I purchased when we were in Vancouver in October. It was produced by Oscardo, another company that partners with Canadian and Indigenous artists and pays royalties for each product sold. The raven is an important figure in Northwest coast art and mythology. Known as a trickster, he has the power to transform both himself and other beings. He can even change animate to inanimate, and vice versa. Hopefully, when I wear the mask, he transforms Covid into something harmless!

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Perhaps this is a good time to talk about the difference between cultural appropriation and cultural appreciation. Cultural appropriation involves adopting an element of another culture without respect for its meaning or significance or with the purpose of exploiting the culture for personal gain. Appreciation, on the other hand, involves a desire to learn about another culture in order to broaden one’s perspective and understanding. It also involves fair compensation and giving credit where credit is due. That’s why it’s so important to me to learn the meaning behind the symbols that appear on my wearable art and why I appreciate the fact that companies like Native Northwest and Oscardo credit the artists and pay royalties for their work.

If you’re interested in knowing more about the stories behind the symbols and creatures that appear in the art of the Pacific Northwest, the book Understanding Northwest Coast Art by Cheryl Shearar is an excellent resource.

A day on False Creek

On our final day in Vancouver, the rain had finally stopped and we decided to spend the day playing tourist.

Vancouver has two inner harbours. Burrard Inlet, the fjord that separates the north shore with its coastal mountains from the city proper, is the main port and welcomes ocean going freighters and cruise ships. To the south of downtown is the smaller inlet known as False Creek. False Creek is home to a vast array of pleasure crafts, some houseboats, and the little False Creek ferries that shuttle passengers between Granville Island and eight other stops along its shores. 

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We parked beside the Vancouver Aquatic Centre ($14 for a full day). Ferries between the Aquatic Centre and Granville Island run every five minutes, so we had only a few minutes to wait before beginning our adventure. Climbing aboard the little blue ferry, we purchased day passes which would allow us to hop on and off wherever we wanted all day long ($14 each for children and seniors, $16 for adults).   

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Granville Island which is really a peninsula, is home to a Public Market and many interesting shops. We decided to leave it for later in the day so that if we bought anything, we wouldn’t have to carry our purchases with us for the rest of the day. We had to switch ferries at the Island stop and wait for one of the boats that travels the red route #3 on the map. They run every 15 minutes all day long. 

Our first destination was David Lam Park. After disembarking, we first walked along the seawall to nearby George Wainborn Park, then back to David Lam enjoying the sights. 

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We had planned on getting back on the ferry to ride to the next stop at Yaletown, but soon realized that we had walked most of the way! Continuing on foot, we soon came across a delightful art installation known as The Proud Youth. 

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I first read about the gigantic 5.5 metre high (18 feet) boy with the mischievous grin back in March when Vancouver blogger, Frances Sprout of Materfamilias Writes, published this post. The whimsical sculpture by Chinese artist, Chen Wenling, is meant to encourage us to live a carefree life in a world of strife; to embrace our inner child and have some fun! What a perfect message in the midst of a worldwide pandemic!  

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The sculpture is so big that it can be easily seen from the other side of False Creek as seen in this photo taken later in the day. 

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Still walking, we admired the many sailboats and yachts in one of many marinas along False Creek. If you look closely, you can see the top of a gigantic super yacht towering above the others in the right hand side of the photo. That’s the 46 metre long (152 feet) After Eight, owned by the Don Wheaton family. 

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Further along our walk we came across another interesting art installation, the Time Top by Jerry Perkins, looking like it had just arrived from outer space! 

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After strolling around the trendy Yaletown area a bit and enjoying lunch in one of it’s many restaurants, we boarded another one of the little ferries and rode it to the final Village/Science World stop.  

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The giant “golf ball” that houses Science World was originally built as the signature building for Expo 86. Today, the sparkling structure is an iconic part of the Vancouver skyline. 

Our next stop was at Stamps Landing where we again went for a walk and enjoyed some of the sights. Though it had been cloudy most of the day, the sun was beginning to come out and I love the way the sky is reflected on the water in this final photo. 

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Returning to Granville Island, we wandered through the market and browsed a few shops. By this time it was late afternoon, so we crossed the water one last time back to the Aquatic Centre where we’d left the vehicle several hours earlier. 

If you’re ever in Vancouver and wondering what to do, I’d highly recommend a day on False Creek. Though I didn’t get photos, we even saw a couple of harbour seals and, at a distance, a giant sea lion! 

Bergen Rocks!

The blog has been unusually quiet for the past couple of weeks. We spent the first week of August at Camp Harmattan in the valley of the Little Red Deer River between Olds and Sundre. There, we had no internet or cell phone service.

One afternoon, we took a short drive to the rural community of Bergen to visit Bergen Rocks International Sculpture Park. Sculptor, Morton Burke, has hosted four international symposiums on his acreage where the park is located. Twenty-three sculptors from around the world have visited, each for a period of one month. While there, each artist created a monumental sculpture in stone that was then placed in the park. One of Burke’s goals for the Bergen Rocks program is to have the sculptures moved from his property to public places in central Alberta where they can be seen and enjoyed by a wider audience. At present, two such exhibits exist, one in Olds (more about that later) and the other in Sylvan Lake. “If we can establish a few more, it’s conceivable that central Alberta will be able to claim the title of Sculpture Capital of Canada and we will start to experience art tourism which will be a new industry in our area,” says Burke. 

Come take a walk around his property and look at some of the sculptures with me…

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Carved in sandstone by Ireland’s Paul Haggins on his second visit to Bergen in 2009, The Elder, is an imposing piece inspired by the ancient monuments that the artist explored as a boy. Though it’s difficult to see in the photo, an eagle feather carved into the shaft of the cross represents Canadian heritage while a triple spiral, or Celtic Triskele, on the reverse is an ancient Irish symbol representing the Earth, the moon, and the sun.

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The torso is a common theme for German sculptor, Tanja Roeder. In 2010 she came to Bergen and created Reflection. Carved in marble, a woman stands beside a waterfall. Directly in front of her, the water is turbulent, but further out there’s a calm pool where she can see her reflection.

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Movement in Space, a sandstone sculpture of a man diving through the air with a baby on his back, perches atop a tall granite pillar. It was created in 2008 by Peerapong Duonkaew from Thailand. His objective was to create a feeling of lightness and movement using heavy rock.

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Moods of the Sea, created in 2008 by Armenian sculptor, Vahe Tokmajyan, consists of three marble seashells and represents three moods of the sea; peace, tranquility, and turbulence.

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Ancient Memories by Iranian, Mohamad Reza Yazdi, was one of my favourite pieces. Carrved in 2010, the marble sculpture of a father goat and his kid was inspired by earthenware found in the ancient city of Susa. The little kid looks up to his father with his majestic horns and dreams of someday exhibiting the same magnificence.

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At first glance, Repression by Saeid Ahmadi from the Ukraine, looked less appealing, but then I read the description. Made of sandstone and steel at the 2010 symposium, it is a visual representation of the stress and strain of life in modern times. It gives the illusion of a solid material being bent and twisted by pressure created by the cables and wires tightening around it.

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This one, Holy Horses by Amgaian Tsmegmid from Mongolia, was hubby’s favourite. Carved in marble in 2011, two horses stand in a patch of bushes on the Mongolian steppes. The artist captured the movement of the wind blowing their manes and tails and if you look closely, you’ll also see little birds flying out of the bushes that they’re standing in.

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Connection is another marble sculpture that was created in 2011 by Min Kyoung Uk from Korea. The millions of fibres that would make up the two enormous ropes represent the different peoples of the world interacting with each another, but not completely connecting. If mankind figured out how to properly connect with respect for one another, the knot would come together and we would have made the right connection.

Our daughter and her three children joined us for our final weekend at Camp Harmattan and then we brought the grandkids home with us. That explains why the blog continued to be silent for another week! On the way home, we stopped at the sani-dump station in Olds to empty the trailer tanks. While our oldest grandson helped Grandpa with that task, the younger two joined me for a quick walk along the Olds Rocks! Highway 27 Sculpture Pathway. Here are just a few of our favourites…

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Dominating one end of the pathway stands another cross created by Paul Haggins on his first visit to Bergen in 2008. Like The Elder, Ancient Cultures pays homage to the early cultures of both Ireland and Canada. The Celtic cross references Ireland while once again an eagle feather on the shaft speaks of the ancient cultures of Canada.

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Canuck, a stylized portrait of an Iroquois man, also pays homage to our Indigenous people. It was carved in marble by Canadian sculptor, Tony Deguglielmo, at the 2009 symposium.

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Prelude, also carved in 2009 by Carlos Valazquez Darias from Cuba, depicts a couple sharing a kiss.

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Peerapong Doungkaew from Thailand created Rising Sun on his second visit to Bergen in 2010. It was inspired by his first visit when he saw the sunrise from his bedroom window each morning.

Now I look forward to seeing the sculptures in Sylvan Lake someday! I also join Morton Burke in hoping that other communities here in central Alberta will join the Bergen Rocks program so that more of the works that stand on his secluded rural property can be moved to locations that are more accessible to the public to be enjoyed by a much wider audience. Until that time, however, it’s well worth a drive out to Bergen to see them if you’re anywhere in the vicinity.

Fashion humour

LogoI’m quite surprised at how easy it’s been to keep Fashion Friday going for over five years without running out of new topics to write about, but lately the well of ideas seems to be running dry. I think it’s more than writer’s block though. I’m sure it’s partly due to the fact that I’m bored with the clothes in my closet and I’ve hardly bought any new ones in the past 14 months, but I think it also has a lot to do with the state of the world we’re living in. Writing about fashion seems pretty frivolous when you’re living in the province with the highest rate of active Covid cases in Canada and the United States and the situation is getting worse every day.

After wracking my brain for something meaningful to write about this week and coming up empty, I decided that maybe what we actually need is a bit of fashion humour to lighten the mood. We don’t have to look any further than the runway fashion shows where designers display their latest creations to find a few laughs and ask, “What were they thinking?”

Perhaps it would be best if designers didn’t let their creative juices flow when they’re hungry!

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I’ve always said that a mother should grow a new arm with each new child. Perhaps that’s what this designer had in mind, but that would be one big family!

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There’s a lot going on in this Easter bunny inspired outfit, but look at the sleeves. They’d be perfect for a mom whose arms are tired or perhaps for someone who’s broken both arms. The mask is also a nice touch during these pandemic days.

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Then, of course, there are the styles with no arms at all!

Cozy is nice, but this is a bit much, don’t you think?

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This one would certainly keep you warm on a cold winter day.

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Layering for warmth is a better idea, but it would appear that this designer didn’t quite grasp that concept.

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Some outfits are creepy…

and others are just too weird for words!

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A few the outfits shown above are clearly unisex, but today I also have two special designs for any men in the audience who like to show off their underwear!

Though I can’t actually imagine anyone wearing any of these creations except on the runway, I do have to admit that some of them are walking works of art. In some cases, very weird art, but art nevertheless. In my opinion, this one from China is both artistic and quite beautiful.

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Though I’m obvously struggling with it a bit at this point, I do want to keep Fashion Friday going, so if you have any suggestions for topics you’d like me to write about, I’d love to hear them! Please feel free to leave your ideas in the comment section.

The Four

Occasionally a piece of art speaks to my heart. That was certainly true of The Four by American artist, Tricia Robinson, when I saw it for the first time yesterday. 

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No, I wasn’t in an art gallery! Covid restrictions continue to keep me locked up at home. I actually saw the painting on Facebook! It was the vibrant colours and the simplicity of the figures that first caught my attention, but the artist’s description gave it much deeper meaning.

These four women: Tamar, Rahab, Ruth and Bathsheba have something in common. They are grandmothers in Jesus’ family tree! Grandmothers! Some had affairs, were prostitutes, lied and were truly not the starry eyed perfect princesses.

But God chose them, used them…. These four broken women. 

And that’s why I gave them crowns. A symbol of grace and love from our Creator and Redeemer.

Christian author, Ann Voskamp, wrote this on her blog

Four broken ­women—​­
women who felt like outsiders,
like ­has-​­beens,
like ­never-​­beens.

Women who were weary
of being taken advantage of, 

of being unnoticed
and uncherished
and unappreciated;

women who didn’t fit in, 
who didn’t know how to keep going, 
what to believe, 
where to ­go—​­
women who had thought about giving up.

And Jesus claims exactly these who are
wandering
and wondering
and wounded
and worn out as
His.

These four women can be found in the pages of the Old Testament and all are part of the genealogy of Jesus found in the first chapter of the book of Matthew. Widowed at a young age and rejected by her second husband who also suffered an early death, Tamar, was left husbandless and without children. In her culture that made her worthless. Taking matters into her own hands, through an act of deception, she bore twin sons by her father-in-law who later admitted that “she is more righteous than I.” After Israel’s 40 years of wandering in the wilderness, spies were sent into the land of Canaan and found lodging with a prostitute named Rahab. After risking her life to hide them, Rahab asked that her life and the lives of her family be spared when the Israelites invaded. In the painting, she can be seen holding the scarlet cord that she was told to tie in the window of her home to mark it. Everyone inside the house would be spared. Another young widow, Ruth, left her homeland and her pagan gods to follow her aging mother-in-law back to her homeland where she would be a foreigner and an object of curiosity. She worked tirelessly gleaning in the fields at harvest time to provide for them until she was noticed by the landowner and became his wife. She eventually became the great grandmother of King David. Bathsheba suffered untold grief when the king, in an attempt to cover up an act of lust that resulted in an unplanned pregnancy, arranged to have her first husband murdered and then took her as his own wife. I can only imagine how much worse her grief became when the child of that union died. Her second son became the great King Solomon.

Yes, these were imperfect, broken women; women who’s lives didn’t go the way of little girls’ dreams, but they are also women who were cherished by God. I can identify. When I saw the painting and understood it’s meaning, I wanted to order a print to hang in my den, my room of prayer. Unfortunately, the artist doesn’t ship to Canada, so I will have to be satisfied with having it on my computer desktop where I can look at it often and be reminded that though, I too, am somewhat flawed and have been damaged by the trials of life, I am a beloved daughter of the one true God!

Kintsugi… broken made beautiful

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“We have this treasure in jars of clay to show that this all-surpassing power is from God and not from us.”   2 Corinthians 4:7

When I read this verse in my morning devotions today, my mind went in several different directions. It immediately brought to mind a couple of verses from the Old Testament book of Isaiah.

“You, Lord, are our Father. We are the clay, you are the potter; we are all the work of your hand.”   Isaiah 64:8

and

Shall what is formed say to the one who formed it, ‘You did not make me’? Can the pot say to the potter, ‘You know nothing’”?   Isaiah 29:16

We are all vessels shaped by God’s hands for His purpose, not our own.

Next, my mind went to the value of a clay pot. Many are plain on the outside and made for ordinary everyday purposes. They might not look like they have much value, but from earliest times people the world over have survived in the harshest of circumstances because they had simple clay pots to carry life giving water. We ought to be like those jars carrying life to those around us.

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Finally, I was reminded of the centuries old Japanese art of kintsugi. or “golden joinery.” Life is hard and sometimes our jars of clay are chipped, cracked, or broken, but God is not only the potter; he is also the master of kintsugi!

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Kintsugi is a method of repairing broken pottery using lacquer mixed with gold, silver or platinum. Rather than trying to hide the brokenness, it becomes part of the beauty of the piece. The process often enhances the value of the item as each mended piece is completely unique.

In a similar manner, when we bring our brokenness to God, He doesn’t reject or discard us. Instead, where we see only ugliness, he sees potential and the possibility of creating something new and beautiful. He takes our broken pieces and carefully puts them back together so that even though the cracks and scars might still be visible, they become part of our beauty. Through His loving grace and mercy, he forgives our failures and heals our hurts. When His gold fills our cracks, we are made stronger and more beautiful and His power and glory are seen in us. We simply need to put our broken lives into the hands of the master of kintsugi and trust Him to put us back together!

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The art of getting dressed

LogoBefore we look at how we dress, let’s consider why we clothe our bodies. First of all, not to would be considered immodest and in most cases illegal! Of course, we also dress to protect our bodies from cold and from the damaging rays of the sun. If those were our only reasons for wearing clothing though, we could all dress the same and we’d only need two outfits each, one to wear and one to launder. We’d need very little closet space, it would be so much easier on the environment, and just think of how much money we’d save! It would also be incredibly BORING!

Clearly, our clothes serve another purpose. They are an expression of who we are, of our individual uniqueness. That’s why I encourage you to identify your personal style if you haven’t already done so.

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It’s also important to dress the body you have, not the one you want or the one you used to have. Like most fashion bloggers, I don’t show you how I dress in hopes that you’ll copy me. Absolutely not! My goal is to encourage and inspire you to experiment with fashion and to learn how to dress in a way that fits your personality and makes you happy. I love the comment that one reader left on another blog recently. She said, “You wear you and I’ll wear me!”

Getting dressed is like creating a work of art. Every morning, you start with a blank canvas. Many artists begin a painting with the background. We, too, need a good foundation to build our work of art on. That means wearing good quality undergarments that fit well and keep everything in place.

Next we begin to fill our painting with the larger shapes. As you look into your closet and choose which pieces to use to build your outfit, consider where you’ll be going, what you’ll be doing, and what you want your look to say about you. Once you’ve established that, use accessories and makeup to add finishing touches to your work of art.

Artists also experiment with colour. While having your colours “done” and sticking to a specific palette (no, I haven’t found my swatches!) may seem too restrictive, it does help to know which colours make you come alive and which, especially when they’re worn close to your face, make you look tired or washed out. Knowing whether your skin has cool or warm undertones can help in choosing the colours that are best for you. One easy way to figure this out is to look at the veins on the inside of your wrist. Do they look blue or green? If they appear more blue, you are cool-toned; if they’re more green, you’re warm toned. The study of colour can be a complex one, but essentially, if you are cool-toned, take your inspiration from the cool end of the spectrum. Bright blues, deep purples, emerald greens, and frosty shades of lavender, ice blue, and pink will look good on you. If you’re warm-toned, look to the warm end of the spectrum for your best colours. Think fiery reds, peach, coral, oranges and rusty tones, creams, camel, and earth tones. Of course, there are also those universal colours that look good on everyone. In addition to experimenting with colour, you might enjoy mixing patterns as well.

Now, at the start of each day, whether you’re going somewhere special or just staying home, take a look in your closet and create a fabulous work of art! You are so worth it!

 

More of beautiful Bruges

When we set out to explore Bruges after arriving yesterday afternoon, we had the Market Square (Markt) in mind as our goal, but like most of the European cities that we’ve visited, it isn’t laid out on a grid, and even with a tourist map in hand, we got completely turned around! That didn’t matter at all because every time you turn a corner in Bruges, there’s something beautiful to see. We simply wandered the narrow cobblestoned streets with names like Katelijnestaat, Zuidzandstraat, and Zoonekemeers and eventually ended up back at our hotel.

Today, we finally figured out the map and spent several hours strolling at a very leisurely pace. This time we had no problem finding Market Square which is dominated by the 13th century Belfry of Bruges tower. We have no doubt that the view from the top would be astounding, but we decided to forgo the 366 steps it would take to get there and limit our views to ground level.

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Its many canals add to the beauty and charm of Bruges and we walked along many of them today.

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This bend in the canal is known as the Quay of the Rosary (Rozenhoedkaai) and is apparently the most photographed spot in Bruges. Though I can’t deny that it’s lovely with the belfry tower in the background, I think some of the other scenes I’ve photographed rival it for beauty.

As one who loves reflections on water, this spot was one of my absolute favourites.

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A visit to Bruges would be incomplete without taking one of the half hour boat tours of the canals. In addition to seeing this magnificent city from a different angle, the captain’s commentary was informative and interesting.

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The weather has been absolutely lovely since we arrived here and we’ve had little desire to spend time indoors. I did want to spend a little while in the Church of Our Lady though to see Michelangelo’s magnificent marble carving, Madonna With Child. Created in about 1503, it was the only one of his works that left Italy during the artist’s lifetime when it was brought to Bruges by a wealthy merchant. It was stolen for the first time by the French occupiers in 1794, but later returned after the defeat of Napoleon. It was removed a second time by the Germans toward the end of World War II, but once again it found its way home to Bruges where it is highly treasured.

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Bruges is known for chocolate, beer (there are two local breweries), lace, and the swans that have graced the canals since the 15th century.

A day at the Louvre

We thought the Uffizi Gallery in Florence was big, but then we visited the Louvre in Paris! In addition to paintings and sculptures, the Louvre also displays historical objects and archeological finds. It contains more than 380 000 objects and 35 000 works of art. Assuming that I’ve done my math correctly, if a person spent one minute looking at each item on display, it would take 24 hours a day for more than nine months to see everything! We were there for five hours. Clearly it was necessary to plan ahead and choose the things we most wanted to see.

Of course, we had to see the Mona Lisa, the most famous painting in the world, but so did everyone else in the Louvre that day! We literally had to fight our way through the crowd of selfie takers to get a glimpse. It was impossible to get a good photo, but you probably already know what it looks like. Like many others, I really wonder what all the fuss is about. There were certainly paintings that I liked better.

Of all the paintings that we saw, the one that impressed me the most didn’t appear on any of the “must see” in the Louvre lists that I saw.

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At first glance, I saw an old man snoozing while a rooster crowed in the background, but then I read the description. I was looking at The Penitent Saint Peter, or The Tears of Saint Peter, painted in the 1620s by Flemish artist, Gerard Seghers, and based on the scriptural account of Peter denying Christ three times before the rooster crowed. I like the simplicity of it, but also the detail. Look at the way Seghers captured the softness of an old man’s hair. And then there are those hands!

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The Venus de Milo is considered one of history’s most significant sculptures. Again, I’m not really sure why.

My favourite sculpture was the highly acclaimed Winged Victory of Samothrace which was created in ancient Greece in about the second century BC. The flowing drapery conveys a sense of motion as the goddess, Nike, descends onto the prow of a ship in honour of a sea battle won.

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I also liked the Sleeping Faun carved by Edme Bouchardon in the 1700s.

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This is just a tiny sampling of what we saw in the Louvre on Monday, but it must also be said that the building itself, a former royal palace, is a work of art.

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My neck is getting stiff from craning to see all the amazing ceilings in the various churches, galleries, and museums we’ve been visiting!

After ensuring that we’d seen everything on my “must see” list, we strolled the length of the Avenue de l’Opera from the Louvre to the Palais Garnier stopping along the way to sip a glass of wine at a sidewalk cafe.

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Oh yes, we are definitely enjoying Paris!

Fabulous Florence

When I started planning this trip, I was undecided about whether or not to include Florence on the itinerary, but I’m very glad I did! We arrived by high speed train from Rome at about noon on Tuesday after sharing our coach with a group of 27 fifth and sixth graders embarking on a four day field trip with two of their teachers. As retired grade school teachers, we felt right at home, but also very glad that we weren’t responsible for all those excited children!

Our guest house in Florence was a short walk from the train station and just off the corner of Piazza del Duomo in the very heart of Florence. Absolutely everything we wanted to see and do was within walking distance, so we were able to pack plenty into our day and a half there.

As soon as we checked in and dropped off our luggage, we headed out to see the Duomo, the Cathedral of Santa Maria del Fiore. The complex is so enormous that it was impossible to squeeze it all into a photo and so ornate that you really need to look at various parts of it close up.

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Surprisingly, the interior, though beautiful wasn’t as ornate as some of the other churches we’ve visited.

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From the Duomo, we walked a very short distance to Piazza del Signoria in front of the grand Palazzo Vecchio, headquarters of the city government as well as a museum. The highlight here was the replica of Michelangelo’s David standing in the exact spot where the original stood for over 400 years until it was moved into the Accademia Gallery.

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Perhaps the most famous sight of all in Florence is the nearby Ponte Vecchio, Florence’s oldest bridge, that has spanned the Arno River since the 12th century! Little jewelry shops line both sides of the interior of the bridge.

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The riverside is lined with fascinating architecture.

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Neither of us are art connoisseurs, but the next day we spent a very enjoyable morning at the Uffizi Gallery, one of the world’s top art museums, taking in its enormous collection of Renaissance masterpieces. After we’d made our way through about one quarter of it, we decided we’d have to pick up the pace or we could easily be there all day! The sculptures were the greatest attraction for me, especially the busts of historical figures. It was amazing to gaze into the faces of long gone heroes of the past like Agrippa on the left and Trajan on the right.

This sculpture representing the martyrdom of St. Lawrence especially intrigued me due to the fact that the artist, Gian Lorenzo Bernini, was only 15 years old when he carved it in the early 1600s! What amazing talent!

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A vast number of the pieces in the Uffizi are of a religious nature, many of them stunning altar pieces like this one.

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Images of the Madonna abound. I was particularly attracted to this one by Botticelli. If you look closely, you can see that the angels on either side of Mary and the Christ child are holding a crown of thorns and crucifixion nails.

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A huge print of this painting by Caravaggio was hanging at the head of our bed in the guest house!

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After leaving the gallery we crossed the river and made the steep climb up to Piazza Michelangelo where the views of the city were absolutely stunning!

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I could easily spend endless hours wandering the tiny streets of Florence, but a day and a half was enough to capture the highlights.